Geometry, Gothic Architecture, Rose Windows, and Christmas Ornaments

Last Changed January 14, 2007

Chartres North Layout I find the rose windows of Gothic cathedrals awe-inspiring. From the rigid formalism of Chartres to the flamboyant explosion of Tours, their marriage of geometry, philosophy, and aesthetics with stone and glass is awesome. Built at a time when science and spirit weren't as divided as today, each window is a statement of the beauty, order, and harmony in the world. Using only a compass (dividers) and a straight-edge (an unmarked ruler), the Gothic architects created myriad lace-like designs, making stone hang in the air and glass sing.

Geometry had been my favorite math class in Jr. high school, and the Euclidean constructions that I drew with my compass and ruler I later applied in shop class and drafting class. Geometry was mathematics made beautiful, and I loved it.

Some of my ornaments A few years back, I bought a scrollsaw (sometimes called a jigsaw). With a little practice, I could cut lace-like designs into thin wood, turning out napkin holders, planting boxes, and all manner of knickknacks. Scrollsawing had been a popular pastime for the Victorians, who had their own love affair with Gothic architecture which produced a style called (not surprisingly) Gothic Revival. The lace-like scrollsaw designs of the Victorians and the lace-like rose windows of the middle ages seemed a perfect marriage. After a little brush-up on the geometric constructions I'd learned years ago, I was making Christmas ornaments based loosely on Gothic rose window designs and cut out of wood on my scrollsaw -- science, art, and craft all rolled into one.

As my designs became more complicated, I became frustrated with the inaccuracy of manual construction. The slight error in setting the width of the compass accumulates quickly so that even something as simple as dividing a circle into 24 equal slices becomes a time-consuming process of trial and error. CAD programs just didn't support designs based on the geometric constructions of Euclid. I recently happened upon the Geometer's Sketchpad. This inexpensive educational program, designed for teaching Euclidean construction, is perfect for creating rose windows.

What a fun journey it's been from Euclid in 300BC, to the Gothic architects of 1100-1300, to the Victorian scrollsawyers of the late 1800's, to the computer aided design programs of the early 21st century!


If you'd like to scrollsaw some of these designs, see my article, Rose Window Ornaments in the Holiday 2006 issue of Scrollsaw Woodworking and Crafts magazine, which includes patterns for 5 of my ornaments.

To see Gothic rose windows in all their glory, there's nothing like actually being there. Photos just don't do them justice. The first rose window I saw in person was in Durham cathedral in England -- I was floored. It's majestic, holy, stunning, and basically impossible to describe, yet it's a relatively modest window.
The next best thing I've found to seeing the windows in person is Painton Cowen's excellent coffee-table book:
Title: The Rose Window
Author: Painton Cowen
Publisher: Thames & Hudson (October 1, 2005)
ISBN-10: 0500511748
ISBN-13: 978-0500511749

The basic text for this type of geometry was, for over 1000 years, "The Thirteen Books of the Elements" by Euclid. In it, Euclid describes (among other things) some of the basic geometric constructions necessary to design rose windows. Dover press has published an English translation in three volumes, written in the 1950's, which is still available if you look around. Check out Amazon Books' info on Volume 1, Volume 2, and Volume 3.

For more immediate access to Euclid, check out the online copy of Euclid's elements, put together by a very generous mathematician. This copy contains the entire Elements in English, plus Java applets demonstrating many of the concepts.

New York Carver has a very nice, brief introduction to the geometry behind the Gothic movement.

The book Sacred Geometry by Robert Lawlor is a good introduction to the philosophy behind the geometry used in the middle ages. It's aimed at artists rather than mathematicians, and so is very accessible to non-mathematicians.

A huge thank-you to everyone who has sent me references to drafting texts and web pages that cover the basics of the Ogee curve and other Gothic elements. Once I've dug through all these hints, I'll put a reference here.

As you can see, the references for this kind of practical geometry are relatively obscure. If you know of any good texts or other references, please write .

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